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  • Автор:
    Файн

    В безбрежном океане шахматной литературы сравнительно немного книг об эндшпиле, и лишь немногие из них можно отнести к настоящей шахматной классике. А наиболее выдающаяся среди классики — книга Ройбена Файна «Основные шахматные окончания». Ройбен Файн (1914−1993) долгое время был одним из лучших шахматистов мира. Как автор Файн показал себя великолепным аналитиком, понимавшим всю глубину и особенности эндшпиля. Изучив разнообразные типы стандартных позиций, Файн установил полезные правила по части практической игры и показал себя опытным наставником, который, используя умело подобранные примеры, смог преподать читателю все необходимые уроки и познакомить его с основными идеями эндшпиля. Многие поколения шахматистов в разных странах мира хранят у себя экземпляры «Основных шахматных окончаний». Например, Михаил Ботвинник считал труд Файна самым достойным из всех, что когда‑либо писались по теории эндшпиля.

    1050.00 руб.
  • Автор:
    Галкин

    Книга гроссмейстера и опытного тренера Александра Галкина посвящена изучению классического ладейного и четырехладейных эндшпилей. На примере эпизодов из партий современных гроссмейстеров (подавляющее большинство партий относится к 2020-23 годам) и собственной практики, автор знакомит читателя со своим видением того, как правильно разыгрывать окончания подобного типа. В отдельный раздел вынесены учебные эндшпильные позиции для самостоятельного анализа. Материал структурирован таким образом, чтобы читатель получил максимальную пользу от изучения предлагаемых автором примеров ладейных и четырехладейных окончаний. Книга предназначена для тренеров и шахматистов-разрядников, но может быть рекомендована широкому кругу любителей шахмат.

    600.00 руб.
  • Автор:
    Январев

    Игорь Январёв «Тактическое мастерство шахматиста. Том 2. Основы техники расчета». Издательство «Андрей Ельков», Москва, 2025 – 392 с. Перед вами вторая книга из трёхтомника международного мастера И.К. Январёва, известного тренера, автора капитального труда «Староиндийская в исполнении Тиграна Петросяна» (2010), получившего признание читателей и переизданного за рубежом. Трёхтомник объединён общей идеей – тактика и комбинирование в шахматах. По сути, это учебник «под ключ», в нём объясняется всё с нуля до продвинутого уровня. Второй том посвящён основам техники расчёта, рассматриваются такие темы как тактический «спектр» позиции, концентрация внимания, включение воображения, по-новому трактуется «дерево вариантов», подчеркивается практическая компонента – экономичность расчёта. Отдельная глава позволяет читателю оценить своё умение считать варианты и наметить пути ликвидации слабых мест. Каждая глава завершается большим числом тщательно подобранных примеров для самостоятельного решения. В отличие от других подобных изданий, автор рассматривает тактику шахмат как единое целое, в комплексе со стратегией и элементами психологии. В основе – оригинальная авторская методика, отлично зарекомендовавшая себя при работе с шахматистами самой разной квалификации. Великолепно подобранные примеры, чёткая логическая структура и последовательность в изложении упрощают понимание материала. Для широкого круга любителей шахмат.

    760.00 руб.
  • Автор:
    Эйве

    В корпус данного учебника вошли две значимые работы чемпиона мира по шахматам, учёного и крупного педагога Макса Эйве — «Самоучитель шахматной игры», созданный в соавторстве с Г. Ден‑Гертогом, и «Уроки шахматной игры». Первая работа рассчитана на начинающих, вторая — на более опытных шахматистов. Книга является настоящим шахматным самоучителем в подлинном смысле этого слова. Это выражается не только в соответственном распределении материала и способе изложения, рассчитанном на пробуждение инициативности изучающего, но и в многочисленных практических упражнениях, предлагаемых читателю после объяснения каждого нового понятия или приёма.В учебнике прежде всего привлекает методика изложения материала, принципы которой будут полезны для тренеров и преподавателей шахматных секций и кружков. Для широкого круга любителей шахмат.

    750.00 руб.
  • Новые в заводской пленке Лимитированное издание самых известных электронных шахматных часов. Дизайн "под дерево". Выпущены к 25-летию DGT. Полностью соответствуют стандарту ФИДЕ, потому эти часы используются на всех крупных турнирах, Чемпионатах и Кубках мира, Всемирных Шахматных Олимпиадах. Установка любых контролей времени, в том числе контролей Фишера и Бронштейна (с добавлением времени).  Размеры: 17,5*7, 5*13 см. Вес: 470 г.

    9500.00 руб.
  • Производство Голландия. Компьютер новый и полностью упакован. Шахматный компьютер "Кентавр" прост в пользовании. Вы без труда установите любой язык. С помощью сенсорной панели 40x40 см (размер клетки 48 х 48 мм) можно легко перемещать фигуры. Датчики будут регистрировать ходы. Доска имеет емкую аккумуляторную внутреннюю батарею. Уникальность компьютера в том, что он быстро адаптируется под вашу силу игры (от начинающего до гроссмейстера), чтобы у вас был подходящий соперник. Кентавр поможет вам проанализировать игру, чтобы не совершать одни и те же ошибки, и повысить шахматное мастерство. Отметим, компьютер не совместим для подключения к вашему ПК или онлайн-шахматам. В комплект входит USB-кабель и электронные шахматные фигуры DGT . Высота короля 86 мм.  

    62144.00 руб.
  • Автор:
    Чернышов

    Авторы продолжают изучение типовых позиций дебюта и миттельшпиля. У Королевской крепости № 2 пешки находятся на полях f7, g6, h7 (или f2, g3, h2), и к ним обычно присоединяется еще один защитник – слон на g7 (g2). Такое построение называется фианкетто, оно встречается во многих популярных дебютах, таких как Каталонское начало, Староиндийская защита, защита Грюнфельда и ряде других.  Авторы подробно разбирают приемы атаки, защиты и контратаки. Большинство примеров – из творчества современных шахматистов (так, отдельная глава посвящена сильнейшему российскому гроссмейстеру Яну Непомнящему); их дополняют партии, ставшие классическим наследием. В книге около 300 позиций для самостоятельного решения, так что это не только учебник, но и солидный задачник. Гроссмейстер Константин Чернышов, руководитель Межрегиональной гроссмейстерской школы в Костроме, и его дочь международный мастер Наталья Карева – опытные тренеры, среди воспитанников которых есть гроссмейстеры и мастера, чемпионы России и Европы среди юниоров.  Книга адресована юным шахматистам и их наставникам. 

    600.00 руб.
  • Автор:
    Безгодов

    Самый юный перворазрядник в СССР, чемпион мира среди юношей, участник турнира претендентов в 19 лет – взлет Бориса Спасского был стремительным. А затем судьба устроила гениальному шахматисту проверку на прочность: дважды оступался он в решающий момент и оставался за порогом межзональных турниров… Лишь через десять лет после первого своего большого успеха Спасский сумел пройти все отборочные испытания и заслужить право на матч за корону, однако одолеть Железного Тиграна Петросяна с первого раза не сумел. Понадобились еще три года сверхусилий: путем Сизифа поднялся он вновь к подножию Олимпа и второй шанс уже не упустил – в 1969 году стал Десятым королем шахмат! Очерк о жизни Бориса Васильевича и его спортивном пути, полном взлетов и падений, написал кандидат исторических наук, куратор Музея шахмат Федерации шахмат России Дмитрий Олейников. 70 красивых и поучительных партий Спасского прокомментировали чемпион России 1993 года, известный автор и теоретик гроссмейстер Алексей Безгодов, а также гроссмейстер Дмитрий Кряквин и мастер ФИДЕ Стив Гиддинс. Предисловие написал 14-й чемпион мира Владимир Крамник.  Для широкого круга любителей шахмат.

    650.00 руб.
  • Автор:
    Галкин

    Книга гроссмейстера и опытного тренера Александра Галкина посвящена сильнейшей фигуре на шахматной доске – ферзю. На примере эпизодов из партий современных гроссмейстеров (подавляющее большинство партий относится к 2020-2023 годам) и своей гроссмейстерской практики автор пытается обобщить, а где-то даже и уточнить методологию понимания и разыгрывания ферзевых окончаний, а также иных типов эндшпилей с наличием ферзей (ферзя) на доске. В книге представлены различные соотношения материала – «ферзь против ферзя», «ферзь и легкая фигура против ферзя и легкой фигуры», «ферзь и ладья против ферзя и ладьи», «ферзь против двух ладей», «ферзь против ладьи и пешек», «ферзь против ладьи и легкой фигуры», «два ферзя против двух ферзей» – практически весь спектр встречаемых эндшпилей этого типа. Материал структурирован таким образом, чтобы читатель мог получить максимальную пользу от изучения предлагаемых автором примеров ферзевых окончаний и его прочих производных. Книга ориентирована на шахматистов разрядников, полезна для тренеров и может быть рекомендована широкому кругу любителей шахмат.

    550.00 руб.
  • Автор:
    Каройи

    Международный мастер Тибор Каройи и мастер ФИДЕ Тигран Гёзалян подготовили капитальный труд (в двух томах), посвященный жизни и творчеству 9-го чемпиона мира по шахматам Тиграна Петросяна. В томе I (1942-1962) рассказывается о детских годах Петросяна, начиная с военных лет, успехах в чемпионатах Грузии и Армении, о превращении его в шахматиста мирового уровня (чемпион СССР, олимпийское золото). Заключительный год - победа на знаменитом турнире претендентов на Кюрасао-1962. Авторы с привлечением современных компьютеров подвергли глубокому анализу 148 полных партий и фрагментов, дали характеристику почти всем известным партиям Петросяна за этот период на фоне движения по турам в каждом турнире и матче. Очень немногие из приводимых партий детально изучались ранее, но и тогда в книге дается существенно улучшенный анализ. Среди противников Петросяна в томе I - чемпионы мира и претенденты Фишер, Таль, Спасский, Ботвинник, Смыслов, Эйве, Корчной и Бронштейн, а также Керес, Геллер, Бенко, Полугаевский, Решевский, Тайманов, Котов, Глигорич и др. Отдельное внимание уделено его тренерам - Эбралидзе, Лилиенталю и Болеславскому. Приводятся редкие фотографии из частных коллекций шахматистов Грузии и Армении, многие из которых ранее не публиковались. Автор предисловия - один из сильнейших шахматистов Армении Девон Аронян. Фото на обложке: Тигран Петросян играет с Константином Кламаном в полуфинале чемпионата СССР, Тбилиси (9-й тур), 1949. Фото из архива Давида Гургенидзе. Отрывок

    1500.00 руб.
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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 8,5 cm x 5,5 cm 12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   PK7

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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 7,5 cm x 5 cm 12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   PK7

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    2262.00 руб.

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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 4,4cm x 5,2 cm   12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   PK7

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    3016.00 руб.

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    12th USSR Chess Championship, 1940: Keres – Stolberg Dimensions: 8 * 5 cm  Mark Moiseevich Stolberg— Soviet chess player, master sport the USSR (1939). In late 1940 he was drafted into the army. The participant of the great Patriotic war. Went missing during the crossing of the Kerch Strait during the Kerch-Feodosia landing operation.   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won. Art PK4

  • book

    3016.00 руб.

    RUB

    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 8,5 cm x 5,5 cm  12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   PK7