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  • Автор:
    Лобач

    Кто научился играть пешечный эндшпиль - тот научился играть в шахматы! В данной книге 64 урока по пешечному эндшпилю. Сложность уроков нарастает постепенно от уровня начинающего шахматиста в начале книги и до уровня перворазрядника и кандидата в мастера в конце. При написании книги автор использовал 40-летний опыт работы тренером - от групп начинающих юных шахматистов в детсадах и начальных классах до группы высшего спортивного мастерства. Учебник очень удобен для работы тренеров с группами юных шахматистов, поскольку содержит готовые конспекты уроков с учебным материалом, а также 700 позиций для решения и учебного разыгрывания. Книга содержит большое количество определений и правил, в том числе оригинальных, придуманных самим автором в процессе многолетней тренерской работы. Материал удобен также для самостоятельного изучения.

    500.00 руб.
  • Автор:
    Богданович

    Первый капитальный труд, посвящённый Рудольфу Шпильману – одному из сильнейших шахматистов мира первой половины 20-го века. В начале книги даётся биографический очерк, дополненный редкими фотографиями. В основной её части – шахматной, через глубокий анализ более чем 200 партий автор рисует творческий портрет Шпильмана. Подробные комментарии, тематическое разбиение материала делают книгу настоящим учебником шахматной игры. В приложении приведена знаменитая статья Шпильмана «У постели больного королевского гамбита». Для широкого круга любителей шахмат. Отрывок

    1725.00 руб.
  • Автор:
    Кобленц

    В книге «Дорогами шахматных сражений» Александр Кобленц, многолетний тренер Михаила Таля, рассказывает о первых 12-ти годах шахматной карьеры волшебника из Риги, в которые он проходит путь от обещающего юниора до чемпиона мира (1960 г.), и также рассказывает о матч-реванше против Михаила Ботвинника (1961 г.). Впервые эта классическая книга была опубликована в СССР в 1963 г., в ней содержится 77 партий и фрагментов с примечаниями автора, его репортажами с мест событий и инсайдерской информацией. Приводятся пять партий Таля из матча 1960 г. и семь – из матч-реванша 1961. Помимо Ботвинника, соперники Таля – Бобби Фишер, Василий Смыслов, Тигран Петросян, Борис Спасский, Давид Бронштейн, Виктор Корчной, Пауль Керес, Ефим Геллер, Юрий Авербах и другие шахматные звезды 1950–60-х годов. Анализы проверил на компьютере и скорректировал международный мастер Валерий Бронзник. Не мешая Кобленцу показывать, как Таль уничтожал противников в волшебном стиле атакующих шахмат, Бронзник открыл много новых изумительных идей в талевских партиях, и книга в целом служит практических руководством по боевым шахматам. Специально для нового издания предисловие написал гроссмейстер Алексей Широв.

    500.00 руб.
  • Автор:
    Чандлер

    Комплект состоит из книги Чандлер М. Шахматы для детей (подарочное издание) и героя этой книги - дракончика Марти (Дракончик - символ 2024 года). УЧИТЕСЬ ШАХМАТАМ с Очень Большим Драконом Марти! По этой занимательной книге ребенок легко и быстро научится играть в шахматы – самую популярную в мире стратегическую игру, развивающую логическое мышление. Правила объясняются четко и ясно, шаг за шагом, с «нуля». Уроки закрепляют веселые разговоры, которые ведут мальчик Петя и его любимый дракончик Марти, называющий себя Очень Большим Драконом. Во многих странах шахматы признаны полезным средством развития творческого мышления у детей. Хотя их считают сложной и даже таинственной игрой, правила ее довольно просты. Не нужно много времени, чтобы понять, как ходят фигуры, и даже ребенок пяти лет способен получать радость от шахмат. И детям очень нравится обыгрывать приятелей и родственников! Увеличенный формат (210х290 мм) Милый зеленый дракончик , символ 2024 года, символизирующий силу, великодушие, мужество и выносливость, - герой книги, который объясняет правила шахматной игры. У дракоши есть присоска- и можно с помощью нее повесить игрушку на глянцевую поверхность, на окно или холодильник. Выполнен из мягкой ткани,  имеет рост- 20 см и длину- 26 см.

    820.00 руб.
  • Высота короля - 95 мм, диаметр основания короля 42 мм. В настоящее время используются в турнирах Центрального дома шахматистов. Комплект продается без доски. Фигуры с утяжелителем

    1900.00 руб.
  • Новые в заводской пленке Лимитированное издание самых известных электронных шахматных часов. Дизайн "под дерево". Выпущены к 25-летию DGT. Полностью соответствуют стандарту ФИДЕ, потому эти часы используются на всех крупных турнирах, Чемпионатах и Кубках мира, Всемирных Шахматных Олимпиадах. Установка любых контролей времени, в том числе контролей Фишера и Бронштейна (с добавлением времени).  Размеры: 17,5*7, 5*13 см. Вес: 470 г.

    9500.00 руб.
  • Размер доски в сложенном виде 35х17,5 см. Размер доски в разложенном виде 35х35 см. Размер клетки 3х3 см  Высота короля 6,6 см. Диаметр основания 2,2 см. Высота пешки 3,1 см. Диаметр основания 2 см. Нарда - шашка 2,1см. Вес 830 гр. В комплекте фишки и игральные кубики для нард Поле для шахмат и фишки для нард можно использовать для игры в шашки Производитель Польша

    5920.00 руб.
  • Автор:
    Файн

    В безбрежном океане шахматной литературы сравнительно немного книг об эндшпиле, и лишь немногие из них можно отнести к настоящей шахматной классике. А наиболее выдающаяся среди классики — книга Ройбена Файна «Основные шахматные окончания». Ройбен Файн (1914−1993) долгое время был одним из лучших шахматистов мира. Как автор Файн показал себя великолепным аналитиком, понимавшим всю глубину и особенности эндшпиля. Изучив разнообразные типы стандартных позиций, Файн установил полезные правила по части практической игры и показал себя опытным наставником, который, используя умело подобранные примеры, смог преподать читателю все необходимые уроки и познакомить его с основными идеями эндшпиля. Многие поколения шахматистов в разных странах мира хранят у себя экземпляры «Основных шахматных окончаний». Например, Михаил Ботвинник считал труд Файна самым достойным из всех, что когда‑либо писались по теории эндшпиля.

    1050.00 руб.
  • Автор:
    Галкин

    Книга гроссмейстера и опытного тренера Александра Галкина посвящена сильнейшей фигуре на шахматной доске – ферзю. На примере эпизодов из партий современных гроссмейстеров (подавляющее большинство партий относится к 2020-2023 годам) и своей гроссмейстерской практики автор пытается обобщить, а где-то даже и уточнить методологию понимания и разыгрывания ферзевых окончаний, а также иных типов эндшпилей с наличием ферзей (ферзя) на доске. В книге представлены различные соотношения материала – «ферзь против ферзя», «ферзь и легкая фигура против ферзя и легкой фигуры», «ферзь и ладья против ферзя и ладьи», «ферзь против двух ладей», «ферзь против ладьи и пешек», «ферзь против ладьи и легкой фигуры», «два ферзя против двух ферзей» – практически весь спектр встречаемых эндшпилей этого типа. Материал структурирован таким образом, чтобы читатель мог получить максимальную пользу от изучения предлагаемых автором примеров ферзевых окончаний и его прочих производных. Книга ориентирована на шахматистов разрядников, полезна для тренеров и может быть рекомендована широкому кругу любителей шахмат.

    550.00 руб.
  • Производство Голландия. Компьютер новый и полностью упакован. Шахматный компьютер "Кентавр" прост в пользовании. Вы без труда установите любой язык. С помощью сенсорной панели 40x40 см (размер клетки 48 х 48 мм) можно легко перемещать фигуры. Датчики будут регистрировать ходы. Доска имеет емкую аккумуляторную внутреннюю батарею. Уникальность компьютера в том, что он быстро адаптируется под вашу силу игры (от начинающего до гроссмейстера), чтобы у вас был подходящий соперник. Кентавр поможет вам проанализировать игру, чтобы не совершать одни и те же ошибки, и повысить шахматное мастерство. Отметим, компьютер не совместим для подключения к вашему ПК или онлайн-шахматам. В комплект входит USB-кабель и электронные шахматные фигуры DGT . Высота короля 86 мм.  

    62144.00 руб.
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    Makarenko Vladimir (b. 1943) "Composition". 1985 Paper, pastel, ink, pen, 23,4×29,9 cm. In the lower right corner the author's signature and date: "Makar 85 Paris". Nonconformist artist. In 1963 he graduated from the Dnepropetrovsk art school in the Studio of Y. Kalashnik. For his thesis "In the blue land" in the manner of "geometric realism" was accused of formalism, the painting was destroyed, and the artist is deprived of the opportunity to continue his studies in Ukraine. He moved to Leningrad, where in 1963 he entered the monumental faculty of the Higher school of monumental art. V. Mukhina. In Leningrad, took private lessons in the studios N. Altman and P. Kondratiev. He was friends with artists M. Shemyakin, E. Rukhlin, V. Mishin, E. Esaulenko, V. Yankilevsky, A. Nemukhin and O. Tselkov. In 1969 he graduated and received a diploma of monumental artist. In the same year he became a member of the informal organization of nonconformist artists, known in the West as the "St. Petersburg group". In 1973 he was forced to leave Leningrad and move to Tallinn, where he quickly entered the artistic circle and took part in group exhibitions. In 1974, together with F. Humeniuk, V. Sazonov and V. by Strelnikov exhibited at the exhibition of Ukrainian nonconformist artists in Moscow in the apartment of a Man. In 1976 he held his first solo exhibition in Paris at the gallery Hardy. Living in Tallinn, he worked as a Stoker, refused to join the Union of artists. He worked in a small workshop, sometimes received orders for illustrations for magazines and Newspapers. In 1973 — 1980 he annually applied for departure to France, and only in 1981 he received permission and moved to Paris. Since then lives and works in Paris.

  • book

    2639.00 руб.

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    Isaac Efremovich Boleslavsky                           SIZE OF THE PHOTO - approx. 8,5 cm x 5,5 cm   12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.       Art PK4

  • book

    3016.00 руб.

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    Igor Bondarevsky SIZE OF THE PHOTO - approx. 8 cm x 5,5 cm 12TH SOVIET CHESS CHAMPIONSHIP: This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won. Art PK4

  • book

    3393.00 руб.

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    MASTER MARK STOLBERG. *After two years of that tournament, in 1942, Mark Stolberg disappeared forever on a World War II.    SIZE OF THE PHOTO - approx. 5 cm x 5 cm   12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.  Art PK4

  • book

    2639.00 руб.

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    General view from the hall of the Moscow conservatory. 1940 ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 8,3 cm x 5,4 cm 12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   Арт ПК7

  • book

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    Soviet Photo: Mikhail Botvinnik University of Chess Culture. After the lecture of Mikhail Botvinnik Photographer: M.Rabkin Dimensions: approx. 18 * 12 cm. Art PK7

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    Aleksandr Zaitsev – Samuil Zhuhovitsky. Score sheet of Zhuhovitsky   Soviet chess score sheet from the 37th Chess Championship which was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2

  • book

    3393.00 руб.

    RUB

    Semen Furman – Vladimir Savon. Score sheet of Furman Soviet chess score sheet from the 37th Chess Championship wich was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2

  • book

    4524.00 руб.

    RUB

    Viktor Kupreichik – Eduard Gufeld. Score sheet of Kupreichik   Soviet chess score sheet from the 37th Chess Championship which was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2

  • book

    4071.60 руб.

    RUB

    Viktor Kupreichik – Anatoly Lutikov. Score sheet of Kupreichik   Soviet chess score sheet from the 37th Chess Championship which was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2

  • book

    5730.40 руб.

    RUB

    Igor Platonov – Efim Geller. Score sheet of Geller   Soviet chess score sheet from the 37th Chess Championship wich was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2

  • book

    4071.60 руб.

    RUB

    Igor Platonov – Vladimir Savon. Score sheet of Platonov   Soviet chess score sheet from the 37th Chess Championship which was held in Moscow September 6 – October 12 1969. Tigran Petrosyan won an additional match for the title of champion (Moscow, January 19-29, 1970).   The championship was also a fide zonal tournament. Polugaevsky, Geller, Smyslov and Taimanov won the right to participate in the interzonal tournament. The latter in the final round effectively won his "party of life" from LutikovАрт ПК 2